LANGUAGE IDEOLOGY OF MEDAN REGISTER IN AGAK LAEN MOVIE
Keywords:
sociolinguistics, language ideology, stereotype, medan register, agak laen movie.Abstract
This study examines the phenomenon of language ideology through the use of the Medan register in the film Agak Laen (2024). The primary focus of this research is to deconstruct how local dialects are utilized as both communication instruments and symbols of identity and cultural belief systems within popular cinema. Employing a qualitative descriptive method, data were gathered through observation and transcription of dialogues from the actors, who are native speakers of the dialect. The analytical process was conducted in stages, ranging from data filtering to drawing conclusions based on sociolinguistic contexts. The research findings indicate that the Medan dialect in the film is characterized by the use of emphatic particles such as bah, lah, and kali, as well as straightforward and bold intonation patterns. Ideologically, the use of this register represents three vital aspects: first, as a manifestation of regional identity that prioritizes cultural pride and solidarity; second, as a humor ideology where local dialects are deemed to have a natural power in delivering comedic messages; and third, regarding social positioning that emphasizes the values of honesty and equality in communication. Generally, this film provides a platform for the Medan dialect to appear as an authentic and positive cultural representation amidst the dominance of standard language.
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